Does anyone else love origami? When I was in school, I’d never heard about about spatial-visual reasoning and only recently discovered that’s why I often spend more time thinking about a design rather than in the tactile experience of making it. Why I have often visualized chess moves, computer code, and even musical note relationships. And when it comes to making clothes, I’m constantly thinking about their pattern shapes. Some nights I fall asleep seeing convex and concave curves floating together in various formations.
So this week, in celebration of shapes, I wanted to share different styles of bust shaping in bras and along with my guess as to their piece shapes.
First up is an example from Raf Simons last show for Jil Sanders. This entire collection really took my breath away–so elegant in shape and color scheme. (It just confirms my soft spot for all those Antwerp designers.) A post at The Cutting Class has some wonderful examples from his collections of what can be done with bust shaping–darts, pleats, folds, tucks. One of my favorites is this bodice using a 3-piece cup with an unusual upper-cup piece.
I’m guessing there might an structural under-layer with boning or underwires. Possible pattern:
This beautiful bustier-style from Stella McCartney has a demi-cup shape with a longline band. The cup is shaped and pieced with a foam lining and covered with silk satin.
In this drawing I’ve thought about to draw on that top shape if you already have a two-piece lower cup. As an aside, a demi cup is usually 1 inch above the bust point, where a balconette is even lower. Apparently, the term “balconette” came from the notion that one could look down from a balcony and not see ladies’ undergarments. (Just cleavage!)
A few moons back, someone asked me why I preferred vertical seams in bras. I think I have been so used to vertically seamed bras or t-shirt bras with no seaming that the horizontal or diagonal seams looked out of date. A vertical seam or dart in the lower cup can really help refine the shape, make it a bit rounder (like the Stella bra), less like a pointy shelf. The “shelf” look becomes especially more noticeable once you add padding, as you can see when I tried to turn my Pin-up Girls pattern into a foam cup bra.
Then again, the more I look at it the more I think that it’s got a vintage flare. For a change of pace from the perfectly round shape vis a vis contour foam bras, I really like these beautiful handmade bras from Dottie’s Delights, which they describe as a “60s silhouette”.
My guess is that this “vintage” shape has a deeper curve along the cross-cup seams on both pieces. In my experience, the more you flatten that upper curve, the more you pull up the bust. You might also want to take a look at Maddie’s post which shows how she softened that point. As she writes, bras are very particular and so are their shapes and how they work for each woman. Just tiny adjustments in curves can really change how it all looks!